资源简介

原创外刊（传统文化）语法填空+阅读理解
春晚+《哪吒2》爆火+《秧bot》+《哪吒2》创作之路
The CCTV New Year’s Gala, also known as the Spring Festival Gala, and commonly _____1_____ (refer) to as Chunwan in Chinese for short, is a Chinese New Year special produced by China Media Group. The Spring Festival Gala has become an important avenue through _____2_____ the Chinese New Year story is told to the world.
With _____3_____ mix of comedy acts, songs and dance, acrobatic and magic, the Spring Festival Gala represents the highest level of entertainment by top-notch performers. Many Chunwan performers have emerged as household names in China _____4_____(sole) as a result of their recurring apperances on the program. And also the gala party _____5_____ (tailor) to amuse Chinese people of all ages from all walks of life from all over China and around the world.
In recent years, the Gala has attempted _____6_____ (establish) itself with some fresh elements, such as incorporating new visualization technology and creating interactive experiences for the audience. Chunwan’s digital transformation is _____7_____ (strategy) in that it can get younger generations involved _____8_____ making “creative reproductions” of classic Chinese cultural IPs.
_____9_____ (mark) of China’s 40 years of national development and progress, as well as changes in every family, can be seen in the show. Under the “joyful” theme, the Spring Festival Gala connects the beliefs and emotions of hundreds of millions of viewers, unites Chinese people’s cultural identity and memories, _____10_____ brings closer the relationship between individual households and the country.
Keys:
referred; which; a; solely; is tailored
to establish; strategic; in; Marks; and
央视春晚
中央电视台新年联欢晚会，也被称为春节联欢晚会，中文简称为“春晚”，是中国媒体集团制作的春节特别节目。春节联欢晚会已经成为向世界讲述中国新年故事的重要途径。
通过喜剧表演、歌曲和舞蹈、杂技和魔术的混合，春节联欢晚会代表了顶尖表演者的最高娱乐水平。许多春晚表演者仅仅因为他们在节目中的反复出现而在中国家喻户晓。此外，晚会也针对来自中国各地以及世界各地的各个年龄段、各行各业的中国人进行定制，以娱乐他们。
近年来，晚会尝试通过引入一些新鲜元素来建立自己的地位，例如融入新的可视化技术和为观众创造互动体验。春晚的数字化转型是战略性的，因为它可以让年轻一代参与制作经典中国文化的“创意复制品”。
中国40年国家发展和进步的标志，以及每个家庭的变化，都可以在节目中看到。在“欢乐”的主题下，春节联欢晚会连接了数亿观众的信仰和情感，团结了中国人的文化认同和记忆，并且拉近了个人家庭与国家之间的关系。
（机翻参考）
The Chinese New Year is always a busy time for Chinese moviegoers who have practically made it _____1_____ tradition to go to the cinemas to spend time with friends and loved ones. This year, Nezha 2 led China’s box office in the first 5 days of Spring Festival holiday and _____2_____ (generate) a revenue of about 3 billion yuan.
The release of Nezha 2 has sparked renewed interest in this rebellious deity (神) from Chinese mythology. Director Yang Yu’s _____3_____ (adapt) brilliantly breathes new life into the legend. _____4_____ traditional portrayals focusing on Nezha’s divine powers, the sequel delves into his psychological journey. A scene showing Nezha struggling with prophetic nightmares visually updates the novel Fengshen Yanyi, _____5_____ his fate was predetermined by heavenly scrolls.
What makes the film culturally significant is that it preserves mythic symbols while introducing modern values. The flaming wheels, _____6_____ (original) representing cosmic balance in Taoism, now symbolize breaking free from societal labels. When Nezha declares “My destiny isn’t written in the stars, _____7_____ held in my hands”, it echoes the original story’s fatalism.
The enduring legacy of Nezha is _____8_____(far) illuminated by archaeological discoveries. A mural (壁画) from the Tang Dynasty, _____9_____ (unearth) in Xi’an in 2021, vividly portrays Nezha conquering a sea monster with his iconic Cosmic Ring.
When the credits roll, viewers realize Nezha’s timeless appeal lies in his duality: a celestial (天上的) being _____10_____ (embody) very human contradictions. As one critic once noted, “This isn’t just a superhero story—it’s China’s answer to Hamlet’s existential crisis.”
Keys:
a; generated; adaptation; Unlike; where
originally; but; further; unearthed; embodying
《哪吒2》票房遥遥领先
中国新年总是中国电影观众的忙碌时刻，他们几乎已经把去电影院与亲朋好友共度时光当作一种传统。今年，《哪吒2》在春节假期的前5天领跑中国票房，并创造了约30亿元的票房收入。
《哪吒2》的上映重新激发了人们对这位来自中国神话的叛逆之神的兴趣。导演杨宇的改编精彩地为这一传说注入了新的活力。与传统描绘哪吒的神力不同，这部续集深入探索了他的心理历程。一个场景展示了哪吒与预言性的噩梦作斗争，这在视觉上更新了小说《封神演义》，在这部作品中，他的命运是由天书预先决定的。
这部电影之所以具有文化意义，是因为它在保留神话符号的同时引入了现代价值观。原本在道教中代表宇宙平衡的风火轮，现在象征着打破社会标签。当哪吒宣称“我的命运不在天书中，而是掌握在我自己手中”时，这呼应了原始故事中的宿命论。
哪吒的永恒魅力得到了考古发现的进一步彰显。2021年在西安出土的一幅唐代壁画生动地描绘了哪吒用他的标志性乾坤圈征服海怪。
当电影字幕滚动时，观众意识到哪吒的永恒魅力在于他的双重性：作为一个天神，他却承载着人类的种种矛盾。正如一位评论家曾经指出的那样：“这不仅仅是一个超级英雄的故事——这是中国对哈姆雷特存在主义危机的回答。”
（机翻参考）
YangBot – A Fusion of Tradition and Technology
At the 2025 CCTV Spring Festival Gala, the most talked-about performance was YangBot, a groundbreaking act blending traditional Chinese folk dance with cutting-edge robotics. The program featured a troupe of AI-powered humanoid robots, designed to mimic the movements of yangge, a lively rural dance traditionally performed during festivals in northern China.
Each YangBot was equipped with advanced motion sensors and machine learning algorithms, allowing them to synchronize (使...同步) their steps with live human dancers in real time. The choreography incorporated classic yangge gestures—such as waving silk fans and stepping to rhythmic drumbeats—while adding futuristic elements like LED-lit costumes that changed colors based on the music’s tempo (节奏).
The performance also paid homage to cultural heritage. Projected behind the dancers was a dynamic digital mural of ancient Chinese farming scenes, symbolizing yangge’s roots in agricultural celebrations. Midway through the act, the robots paused to interact with the audience, using voice recognition software to deliver blessings in regional dialects, from Shaanxi’s thick accents to Cantonese phrases.
Critics praised YangBot for reimagining tradition without erasing its essence. However, some viewers questioned whether the human-like robots risked overshadowing the artistry of live performers. One netizen commented: “It’s magical, but can machines truly capture the soul of our folk culture
According to the passage, what was the key technological challenge addressed by
integrating motion sensors and machine learning into the YangBots
A. Enhancing the visual appeal of LED costumes.
B. Preserving the spontaneity (自发性) of human-robot interaction.
C. Achieving real-time adaptation to dance moves.
D. Replicating the emotional differenecs of regional dialects.
2. The underlined word “homage” in Paragraph 3 most closely means _____.
A. Tribute B. Imitation C. Innovation D. Rejection
3. What concern did some viewers express about the performance
A. The robots moved too slowly to match the music.
B. The digital murals were historically inaccurate.
C. Machines might lack the emotional depth of human artists.
D. The LED costumes distracted from the traditional dance.
4. Which statement best summarizes the main idea of the passage
A. Robotics will inevitably replace human performers in art.
B. Modern technology can revitalize traditional culture while sparking debate.
C. The 2025 Spring Festival Gala focused solely on futuristic innovations.
D. Yangge dancing is no longer relevant to younger generations.
Keys: CACB
Shen Wei, the character designer behind China’s top-grossing animated film Ne Zha, recently spoke about his challenging journey in designing characters for Ne Zha 2, following the overwhelming success of the original film in 2019.
Ne Zha 2 joined the highly vibrant Spring Festival film season lineup and debuted on Jan. 29. Building on the remarkable success of its predecessor, this five-year project continues to draw inspiration from the mischievous yet adorable character from the Ming dynasty novel The Investiture of the Gods. It also introduces a “dimensional upgrade” that includes new characters, thrilling battle scenes, more than 1,900 visual effect shots, and enhanced details for IMAX.
When discussing the challenges of character design amid high audience expectations after a five-year wait, Shen emphasized the importance of two concepts: continuity and innovation. “I believe finding the right balance between continuity and innovation is essential,” Shen said. “The audience has already embraced elements of the original, so it’s impossible to completely break away from the established framework. Our approach is to carry forward the essence of the first film into the sequel while innovating and improving on existing techniques.”
Ne Zha 2 includes a substantial increase in new characters, tripling the number from the first film. A promotional video reveals that nearly every character has received unique battle designs instead of reusing previous designs. Shen noted that this approach demanded considerable effort and time. His goal was to immerse the audience in a story that feels authentic and engaging, ensuring that each character is fully developed and relatable.
One new character that impressed Shen is Ao Shun, a legendary dragon king. His complex armor, made entirely of blades, along with his unique fighting style, presented significant development challenges. Shen worked closely with Yang Yu, the director of the Ne Zha film series, known by his nickname Jiaozi, to explore various iterations of the character’s costume and performance style.
Looking ahead, Shen expressed a strong interest in exploring projects that involve extraterrestrial and futuristic creatures amid the resurgence of Chinese animation. Such themes, he said, “allow me to explore new ideas and unleash my imagination.” He noted that character design is a creatively rich and rewarding process.
What does the term “dimensional upgrade” in Paragraph 2 most likely refers to
A. A shift from 2D to 3D animation.
B. Expansions in story, visual effects, and technology.
C. Reducing the film’s runtime for better pacing.
D. Focusing solely on character backstories.
Why does Shen believe it is impossible to completely break away from the established framework
Because the audience has developed an emotional connection to the original elements.
Because the original film’s framework is too rigid to allow for changes.
C. Because the filmmakers lack the creativity to introduce new ideas.
D. Because the sequel must strictly adhere to the original storyline.
How does Shen’s approach to character design contribute to the overall experience of the film
By making the film more technically advanced.
By ensuring that the story feels authentic and engaging.
By reducing the complexity of the storyline.
D. By emphasizing the importance of visual effects over storytelling.
What is the primary goal of the article
A. To predict the box office success of Ne Zha 2.
B. To advertise the global release of Ne Zha 2.
C. To analyze Shen Wei’s design philosophy and challenges in Ne Zha 2.
D. To compare the visual effects of Ne Zha and Ne Zha 2.
Keys:
BABC

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