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高考模拟 语法填空汇编（4）
(1)
The 2025 Nobel Prize (in Physics) was awarded to John Clarke, Michel H. Devoret, and John M. Martinis 1 their discovery of macroscopic quantum (宏观量子) phenomena in electric systems. Their work, which (many believe) is a cornerstone for future quantum computers, 2 (announce) on October 7th.
Just eleven days later, the global scientific community felt a profound sense of loss upon learning that Chen-Ning Franklin Yang, a 3 (tower) figure in theoretical physics, passed away in Beijing on October 18, 2025, at the age of 103. Honors 4 (pour) in from around the world for the Nobel winner, 5 work fundamentally reshaped modern physics. A special exhibition was held at the Chinese Science and Technology Museum, where staff carefully arranged all 6 (exhibit) to honor what he left us, 7 (display) some of his most complex equations (方程) horizontally for better visibility.
Yang’s own Nobel Prize-winning work conducted with Tsung-Dao Lee continues to inspire physicists today. It was at a conference held last week that a leading scientist emphasized Yang’s unique ability to reveal profound truths 8 (draw) from elegant mathematics.
9 becomes clear is not just his monumental scientific contributions, but also his role as a bridge between China and the global scientific community. He was once described by a colleague as having “an extraordinarily imaginative mind, combined with a deep 10 (simple) in his fundamental concepts.”
(2)
Lu Ban is an ancient Chinese woodcraft master, representing the spirit of Chinese craftsmanship. The Luban Workshop, a Chinese vocational (职业的) training program, is exactly named 11 this outstanding man. It carries the idea “small but beautiful, efficient and beneficial to the people”.
The Luban Workshop was 12 (primary) promoted by Tianjin City. Following the spirit of craftsmanship of Lu Ban, it shares with other countries China’s vocational education models and vocational skills, and cultivates (培养) 13 (compete) local skilled talents.
The first Luban Workshop outside China was set up on March 8, 2016. Up to now, the program 14 (launch) in more than 20 countries. According to incomplete 15 (statistic), over 50 majors have been offered within the framework of the program, 16 shapes a multi-tier (多层级的) international vocational training system.
2,500 years ago, Lu Ban 17 (invent) various practical tools, bringing multiple conveniences to the lives of the Chinese people. Nowadays, the Luban Workshop is committed to mutual learning, 18 (serve) economic development of host countries and promoting international capacity production. It has built a bridge of cultural 19 people-to-people communication between China and foreign countries. In the future, the program will keep playing an important role in building a community with 20 shared future for mankind.
(3)
The art of Chinese calligraphy has been regarded not just as a visual art but as a reflection of one’s character and cultivation. It was believed that we could judge a person’s integrity and wisdom by 21 naturally flows from their brush. When 22 (evaluate) calligraphy, experts look for “spirit resonance” (气韵) — a quality extremely difficult to define, yet instantly recognizable to the 23 (train) eye. It is this pursuit of spiritual expression that lifts calligraphy to a high art form.
This philosophical depth is evident in the works of Wang Xizhi, 24 calligrapher of the Eastern Jin Dynasty, whose masterpiece “Lantingji Xu” 25 (celebrate) for centuries as the “world’s best running script,” not only for its artistic excellence but also for the philosophy it 26 (contain). The preface (序言) is a beautiful essay reflecting on the passing nature of life and the joy of friendship. The original work is lost to history, 27 its aesthetic principles live on through countless copies.
Today, although typing has 28 (large) replaced handwriting in daily life, calligraphy is experiencing a revival. It serves as a balance to the digital world, offering 29 (individual) a way to slow down, focus their minds, and reconnect with their cultural heritage. What makes this art form enduring is how it transforms ink on paper 30 a living record of the human spirit.
(4)
Distant pleasant music floated above the Sydney Opera House stage. Soft light gradually revealed motionless figures at work, as if lifted 31 the pages of a Ming-dynasty book. Slowly they began to move. Accompanied by the soft sound of page turning and the gentle flow of water, their graceful 32 (gesture) formed a living picture of labour.
This breathtaking opening of the dance drama Tiangong Kaiwu pulled me 33 (instant) into that world of ancient creation. Through 34 (express) movement, the performance conveyed the book’s core message — 35 (value) the skills passed down by countless unknown labourers and the power of practical tools. The beautiful scenes of golden fields and shiny silk made me feel the deep bond between humanity and nature.
The most moving moment came 36 Song Yingxing took off his official robe (官袍) and stepped into a “field” formed by the other dancers. All motion ceased; only his figure remained, arms stretched upward, silent yet full of strength. At that instant, history 37 (it) seemed to hold its breath.
As I left the theatre I overheard a visitor say “This is beauty that 38 (go) beyond borders.” His words deepened my belief: art 39 (root) in a culture’s finest traditions possesses a timeless power to move anyone. This was more than 40 ancient book brought to life — it was a celebration of Chinese wisdom and its spirit of sharing with the world.
(5)
Every year, from Frost’s Descent to the Beginning of Spring, farmers and factories in Xuanwei, Yunnan, enter their busiest season for curing hams. Amazingly, 41 started as a family custom linked to the farming calendar has grown into a culinary treasure and a powerful engine for local 42 (economy) development.
43 one of China’s three most famous ham varieties, alongside Jinhua and Rugao, Xuanwei ham boasts 44 history of nearly 1,000 years. Thanks to its unique ingredients, craftsmanship and climate, it perfectly combines ancient techniques with modern industry. It is made through a very careful process: producers choose hind legs from local Wujin pigs, 45 are then salted, stacked, pressed and dried. The hams ferment (发酵) naturally in the region’s special highland climate, maturing until the next Mid-Autumn Festival.
46 (know) for its rose-red lean meat, ivory-white fat and delicate flavour, Xuanwei ham enjoys great 47 (popular) at home and abroad. Today, this seasonal craft has developed into a booming industry. In 2024, 48 (it) output reached about 70,000 metric tons, accounting for more than one-third of China’s ham market and 49 (secure) its role as a cultural symbol and an economic engine.
Furthermore, Xuanwei ham also boosts tourism and agriculture. New ham-themed resorts have attracted over 240,000 visitors, and a national agricultural park 50 (expect) to benefit tens of thousands of local residents.
It is a key to rural vitalization, proving that tradition, with patience and innovation, can nourish the future.
(6)
In a modest yet vibrant martial arts club, the rhythmic thud (重击) of feet striking the ground echoes in sync with the sharp, thunderous cry of “Hay-Hah!”.
53-year-old Degbo is leading scores of students through precise movements of kung fu and tai chi. For Degbo, Chinese martial arts are not 51 (mere) a physical discipline but a philosophy, a way of life, 52 above all a bridge between his homeland of Benin and China.
At the tender age of 13, while a student in Dangbo town in southeast Benin, Degbo 53 (discover) his passion. Spending school holidays watching Chinese martial arts films 54 (feature) legends like Bruce Lee and Jackie Chan, he found an accidental encounter with the exotic culture 55 ignited a life-changing interest.
Degbo began his journey 56 joining a private kung fu club in Porto-Novo. Later, the Beninese martial arts enthusiast 57 (take) to the Shaolin Temple in Henan province for better mastering the art. In 2010, he founded his own club, Super Shaolin of Benin.
Reflecting on his journey of learning Chinese martial arts through the eyes of 58 master, Degbo said it is a 59 (spirit) rebirth. “The experience offered me a deep and immersive 60 (introduce) to Chinese culture,” he said. “It strengthened my mind and body and shaped how I see the world. I want to pass on what I learned to empower young people with an understanding of another culture.”
(7)
When I first opened Where the Deer Hide in the Woods, I felt as if I were stepping into a world 61 the author’s words flow like gentle music. The Tang poems, 62 (translate) with the master touch of Xu Yuanchong, speak softly in two voices — one Chinese, one English — each echoing (回响) with calm, beauty, and quiet 63 (deep).
The book 64 (divide) into six chapters, each unfolding a distinct landscape of emotion— sorrow, peace, love, longing, solitude, and reflection. I was 65 (genuine) moved when I read “The monkeys on both banks are still calling; my light boat has sailed past a thousand hills.” I fully 66 (sense) Li Bai’s liberated soul — his joy at being pardoned by the emperor — flowing through the lines.
Each page of the book is enriched with thoughtful notes, vivid background stories, and traditional Chinese brush-style 67 (illustration). Xu’s artful work transforms the rhythm (节奏) of Chinese poems 68 English music, a recreation that honors both the original and its new form.
69 (read) this book feels like a journey through hearts and landscapes. For anyone who treasures poetry, painting, or the meeting of two cultures in perfect harmony, Where the Deer Hide in the Woods is 70 must-read that beautifully serves as the bridge.
(8)
Chinese painting, standing as one of the world’s oldest and most enduring artistic legacies, has a rich and complex story to tell. The journey begins with ink, a fundamental material that 71 (rub) to the desired consistency on an inkstone with a little water. Then the painter uses a pointed-tipped brush crafted from the hair of goats, deer, or 72 (wolf) set in a shaft of bamboo. Typically, traditional Chinese paintings are brought to life on a length of silk or a sheet of paper, 73 surface is absorbent, allowing no room for erasure or correction. One must, therefore, know beforehand 74 he intends to do. 75 (achieve) a successful creation, each stroke demands unwavering confidence, swift execution and a profound mastery of technique 76 (train) through years of practice.
Chinese painting consists of three main subjects: human figures, landscapes, and birds and flowers. The Tang Dynasty witnessed figure painting reach its 77 (high) while the Song Dynasty saw the flourishing of landscape painting and bird-and-flower painting. During the nineteenth and 78 (twenty) centuries, having been exposed to Western art, Chinese painters started to evolve new styles 79 (combine) traditional techniques with Western impressionism and perspective. With the perfect integration of ancient and modern elements, Chinese painting is bound to shine with 80 even more glorious and distinctive style, attracting art lovers around the world.答 案
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(8)
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